23.5.18

Barrence Whitfield & The Savages, Snakerattlers, The Milk Lizards, Oilbirds. Westgarth SC. 11.05.18.


It’s an early start and consequently I arrive at the tail end of Oilbirds set. I’m also slightly distracted when the speaker stack comes crashing down a couple of meters from where I’m stood. Thankfully nobody hurt but a nice chunk taken out of the table where Steve and Wendy are sitting. What I do see of Oilbirds impresses me a lot. Garage punky blues – Timothy Oxnard’s new outfit (they played their first gig in March) certainly sound like they’re going to make a decent mark on the music scene and I’ll make sure I see them again when they play.
Sunderland’s The Milk Lizards step up and keep us entertained with some superbly danceable surf rock. With a constant background sound of waves lapping on the shore The Milk Lizards play only instrumentals. Instrumentals that range from driving rhythms overlaid with reverb soaked guitar on tracks such as ‘Defcon 5’ to a much more laid back but heavier vibe on ‘Good Cop Bad Cop’.  They don’t even speak between tunes but play a recorded “Thank you very much” after each track. This is music for hot summer nights sitting under a palm tree watching the sun go down. Even in the Westgarth with The Milk Lizards playing your mind wanders to sunnier climes.




Snakerattlers impress once again. Rock n roll with real attitude. Just one guitar, two drums and a cymbal and one hell of a snarling voice from Dan Oliver Gott. Combine them and you get a superb blend of rockabilly, country and punk. Powerful guitar riffs and thumping drum beats from Naomi Gott drive us through the manic ‘Let You Go’, ‘Rattlerock Rumble’ and more. With a stare that seems possessed DG stares at the crowd, and at his wife, occasionally right in your face as he takes his guitar and its savage riffs into the crowd leaving Naomi to knock out the beats alone on stage. It’s good to hear new songs and an indication there’s more to come from this intense, powerful duo.






Barrence Whitfield & The Savages deliver pure, good time R&B tinged rock ‘n’ roll. From opening song ‘Slowly Losing My Mind’ the Westgarth transforms into full on party mood. Barrence sings, shouts, wails through a set list that doesn’t let you go for even a second. New album ‘Soul Flowers Of Titan’ features heavily -  ‘Pain’, ‘Lets Go To Mars’, ‘Adorable’, ‘Sunshine Don’t Make The Sun’ all thundering bursts of energy with superb sax, heavy blues guitar and energy that takes you completely out of yourself to a place where nothing matters except the beat driving through you. Things slow down with the sultry groove of ‘Tingling’ providing moments to catch your breath before ‘The Claw’, from 2015’s Under The Savage Sky raises the tempo and the temperature once again. But it’s not all about recent releases and with a significant back catalogue to draw from we’re treated to early classics ‘Bip Bop Bip’, ‘Walking With Barrence’, ‘Bloody Mary’,  and more from way back in 1984 / 85. Songs that have stood the test of time, still sound great and still deliver hard hitting, infectious rhythms.  It’s hot outside tonight. Inside it’s melting with sweat dripping from band and audience alike. The fact that the place is still bouncing after a set of more than 20 songs is testament to the energy and pure entertainment that seeps from every pore of Barrence Whitfield & The Savages. Surely another gig that will sit comfortably in my top 10 by the end of the year.








The Chords UK + Thee Strawberry Mynde + Sound Reaction. Georgian Theatre, Stockton. 13.04.18.


I’m not sure why but The Chords completely passed me by back in my teenage years despite me being a prolific buyer of punk/new wave/new mod records. More about them later.
First up are Sound Reaction. I’ve seen them once before over 12 months ago and, at the time, wasn’t over impressed. Tonight it’s a different story. Sound Reaction deliver set of garage rock tunes with a distinctly mod twist to them. Mark Duffy’s vocals are strong, Karl Steinberg’s guitar playing spot on as he knocks out some fairly heavy riffs and it’s all backed up by tight rhythms from bassist Chris Marner and drummer Chris Ashcroft. Last year my mind wandered and I wandered to the bar. Tonight I have no such inclination. Guitar heavy garage rock they are and they do it really well making me glad I made the effort to arrive early.






Thee Strawberry Mynde knock out great 60’s garage beats. Heavy bass and repetitive guitar strumming grab your attention and get your feet moving. ‘Know No more’, ‘She Sets The Scene’ – a song that despite being written 20 years ago sounds great today and ‘Hidden’ would have fitted perfectly into one of those music programmes such as Ready Steady Go. New(ish) drummer Stu has slotted in perfectly sounds as though he’s been with them for years. Thee Strawberry Mynde look good too. Tonight there’s no trademark striped t-shirts but instead Bazza’s smart suit, Paul Garner’s eye catching paisley shirt and Stu’s 100% mod haircut. Thee Strawberry Mynde are raw and tight and deliver 9 – 10 tunes that hook you right in and leave you wishing they could have played just a little bit longer.







Featuring only Chris Pope from the original Chords I did wonder what tonight would be like. I was reassured by a friend and Chords fan that all would be good and how right he was. The Chords UK were fantastic. Non-stop punky mod rock n roll. The Chords UK are in your face, fast, non-stop, energetic. Chris Pope leaps around like a 20 year old while Mic Stoner Kenny Cooper and Sandy Michie back him up with energy and enthusiasm to match. This band don’t stay still for a second and their enjoyment of what they’re doing shines through. Add in a crowd that’s 100% behind them from the opening note and you get a set of explosive sing-a-long tunes and an electric atmosphere. ‘Get Me To Saturday Night’, ‘Now It’s Gone’, ‘One More Minute’, ‘The British Way Of Life’, ‘Maybe Tomorrow’, new songs such as ‘I Can’t Let Go’ – every one of them, and the rest, has the crowd dancing, singing, forgetting the mundane trials of everyday. It’s a perfect Friday night gig and as I stroll back to my car I can’t help (i) regretting I didn’t pay serious attention to The Chords 38 years ago, although to be fair I was only 15, (ii) wondering if I can afford to start buying their back catalogue and (iii) hoping I get to see them again soon. Superb stuff.











21.3.18

Gary Numan + Nightmare Air. The Empire, Middlesbrough. 17.03.18.



Sliding up the A19 to Middlesbrough in a blizzard wasn’t exactly fun. Nor was queuing outside The Empire in sub—zero temperatures, especially when the doors had opened half an hour earlier. Once inside however spirits lifted.

Opening proceedings Los Angeles shoegazers Nightmare Air prove, once again, that it’s always worth watching support bands. Amongst clouds of smoke and lights switching between neon blue and sensor defying red they deliver a superb blend of loud, swirling guitar sounds from Dave Dupuis, heavy drum beats from Jimmy Lucido and Swaan Miller’s driving bass rhythms all overlaid with Miller’s softly piercing ethereal vocals. Plenty of distortion, plenty of effects, the majority of their set is taken from new album Fade Out – a more mainstream, commercial, almost poppy album than predecessor High In The Lasers that certainly delivers some big, catchy tunes. ‘Who’s Your Lover’, ‘Fade Out’, ‘Strange Things’ hook you in as they build from quiet openings to sudden thumping beats, rumbling bass lines and goth tinged guitar riffs. Miller shares vocal duties with Dupuis on the sublime ‘Sweet Arrows’ and again on set closer ‘Icy Daggers’, one of only two songs from High In The Lasers and a full on, thrashing guitar finale.


Nightmare Air

Nightmare Air

Nightmare Air

Nightmare Air

Nightmare Air

Nightmare Air


 Gary Numan seems to be on a career high at the moment with latest album Savage (Songs From A Broken World) charting at no.2 in 2017. Tonight’s stage set has a spectacular light show. Dazzling, piercing colours so bright your eyes hurt before everything plunges into a wash of red or near complete darkness. It matches his stage presence and music perfectly. With a well-known dislike of dwelling on the past tonight’s set consists of just four songs from his early days of electronica stardom. Even these - ‘Down In The Park’, ‘Cars’, ‘Me, I Disconnect From You’ and ‘Are Friends Electric’ - are delivered with an dark edge and harder more industrial sound. Savage makes up the bulk of the evening – focusing on a barren, post-apocalyptic world resulting from climate change – these are dark, muscular, guitar heavy yet still synth driven songs that see Numan throw himself completely into each and every one. ‘Ghost Nation’, ‘My Name Is Ruin’ and ‘When The World Comes Apart’ drive straight into you with thumping beats and layers of synths. ‘Halo’, ‘Here In The Black’, ‘Haunted’, ‘Love Hurt Bleed’, ‘The Fall’ span a number of previous albums but all slot perfectly into the set. Hard, soaring, potentially stadium filling songs. Anyone expecting a greatest hits package may have been sorely disappointed with tonight’s song choice. I doubt there were many. Numan has a huge number of devoted followers, a significant number of whom are here, hanging on every word of every song, singing along with eyes full of nothing but adoration. No one could have been disappointed with the show Gary Numan and band put on. Visually spectacular, energetic, tight and note perfect together with that so distinctive voice (also note perfect). Not a minute wasted, absolutely no talking between songs except a quiet “Thank you” before returning for a two song encore. ‘Prayer For The Unborn’ and ‘My Last Day’ slow things right down yet, in their own way, are no less emotionally powerful.

Well worth the slow drive home in the continuing blizzard.

Gary Numan

Gary Numan

Gary Numan

Gary Numan

Gary Numan

Gary Numan

Gary Numan

Gary Numan

Gary Numan

Gary Numan





7.3.18

The BellRays, Fuzzy Vox, Johnny Seven. Westgarth Social Club, Middlesbrough. 03.03.18.

 Johnny Seven never disappoint. Formed in Teesside in ’78, disbanded in ’80, reformed in 2011. Tonight there’s a decent crowd in to see them and they treat us to some top punk rock ‘n’ roll. Johnny Seven play punk you can dance to. Proper, tuneful punk that deserves the response it gets with people singing along to ‘Shot Down’, ‘Can’t Escape Rock N Roll’ and ‘LSD’. Johnny Seven are not a tired old punk band. They ooze energy. Dominic Green, unable to stand still, bouncing round the small Westgarth stage, eyeballing the punters whist delivering a class set of tunes. Johnny Baines and Pete Wilson deliver slashing guitar riffs whilst Paul Ford & Paddy Muldowney hold it together with driving rhythms. There’s simply no let up as they hammer out ‘LSD’, ‘Pumpin’ The Pomp’, the classic ‘Skinheads’ and more. Catchy, ska tinged punk. Ending with a manic version of the Pistols ‘Bodies’ I am, once again, glad I’ve seen this band.


Johnny Seven

Johnny Seven

Johnny Seven

Johnny Seven

Garage, punk, blues, rock? Blend them all together and you pretty much get Fuzzy Vox, noise merchants from France who tonight did their best to take the roof off the Westgarth. Energetic, passionate, animated. It’s a matter of seconds before the rapidly swelling crowd are irresistibly drawn nearer the stage by some fine infectiously raucous beats. Frontman/vocalist/guitarist Hugo Fabri is all over the place. Leaping around, on his knees, on top of the speakers, screaming out his vocals as he hammers his guitar. Bassist Greg Dessons a master of the punk funk stance whilst drummer Jeremy Norris is the only topic of conversation in the gents afterwards –“How the fuck did he play like that with just 4 drums?” It’s exhausting watching them. Sonically contagious, their set passes with the speed at which they play and it’s over all too quickly. Look them up – ‘Told You Before’, ‘I Want Drums’, ‘Explosion Of Love’ are all good places to start. Then go and see them. You won’t be disappointed.

Fuzzy Vox

Fuzzy Vox

Fuzzy Vox

Fuzzy Vox

Fuzzy Vox

The BellRays two recent releases are titled Punk Funk Rock Soul – Vol 1 and Vol 2.  Add in a bit of ‘Blues’ and you’ve got a perfect description of this powerhouse of a band. Opening with ‘Bad Reaction’ – a full on, rocking number that showcases perfectly Lisa Kekaula’s furiously powerful vocals. The BellRays are a hard hitting, kick-ass band who command your attention. Loud, powerful, in your face, rockin’ tunes that, although the tempo occasionally slows and calms a little – ‘I Can’t Hide’ - the energy and presence never let’s go. Kekaula, together with Bob Vennum on guitar dominate the stage. Huge riffs with some mean solo’s thrown in whilst Kekaula prowls the stage and, at one point, strolls amongst the audience making sure that no one forgets they’re witnessing something special. Despite their extensive back catalogue tonight’s main set, with the exception of one song – ‘Infection’ – is drawn entirely from just three releases. The previously mentioned Punk Funk Rock Soul Vols 1 and 2 and 2010’s Black Lightning. This is by no means a criticism. PFRS are both superb. Full of slashing punk rock guitars (‘Mine All Mine’), heavy soul (‘I Don’t Wanna Cry’), garage rock (‘Soul Girl’) to name just three from the ep that is Vol 1. Both are played in full whilst ‘Power To Burn’, ‘Living A Lie’, ‘Everybody Get Up’ and ‘Black Lightning’ from Black Lightning are raw, hard, aggressive, gritty, catchy numbers that make it impossible not to shake your body. 19 high octane songs dominated by that voice. A voice that is nothing less than wonderful. BellRays reviews consistently say things like ‘Aretha Franklin fronts The Stooges’, ‘Tina Turner meets MC5’ and it’s impossible to disagree.  After leaving the stage for a short breather they return to rip through a cover of ‘Johnny Be Good’ and that’s it. It’s only March and I reckon this will be another gig in my top five of 2018. 

THE BELLRAYS

THE BELLRAYS

THE BELLRAYS

THE BELLRAYS

THE BELLRAYS